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Assumpta est Maria : Nr. 2 aus: Drei Marianische Motetten

Assumpta est Maria : Nr. 2 aus: Drei Marianische Motetten

Stykpris v/ 20

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Beskrivelse:

Matsushita sets each section of the Offertorium text vividly, in keeping with the style of Renaissance motets. The opening motif soars powerfully upwards over a pedal point in leaps of a fifth and fourth from the starting note of C, before pausing on a chord of superimposed...

SKU/Varenr.: CV964300
Lagerstatus/Leveringstid: Skaffevare, print on demand, Upcoming, Restordre - typisk ml. 3-6 ugers leveringstid. Forbehold udgået varer!
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Lagerstatus/Leveringstid: Skaffevare, print on demand, Upcoming, Restordre - typisk ml. 3-6 ugers leveringstid. Forbehold udgået varer!

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Stykpris v/ 20 68,00 DKK 77,00 DKK

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Matsushita sets each section of the Offertorium text vividly, in keeping with the style of Renaissance motets. The opening motif soars powerfully upwards over a pedal point in leaps of a fifth and fourth from the starting note of C, before pausing on a chord of superimposed fourths at the word coelo [heaven]. In the corresponding place at the end of the work, the same tender chord is heard en passant at the word “Maria”, a beautiful musical portrayal of the mystery of the Assumption of Mary into heaven. The angels’ rejoicing and the alleluia forms the greater part of the motet: imbued with playful repetitions and eighth note rests, the emphasis in the words is displaced andindividual, dance-like syncopations are created. The dynamic climax of the work is in three upswings at the words “cum Christo regnat in aeternum”, arriving at a radiant B flat major at the word “aeternum” [eternity], chanted forte hymnically over five measures.
Instrument (fx guitar, sang m.m.) SSAA
Genrer (Fx Pop, Rock, Børn m.m.) Post-1900
Udgivelsesår 2014
Sideantal 8
Publisher/Producent Carus Verlag
Bidragydere Matsushita, Ko(Composer)
Sprog Latin
ISMN 9790007143527