In a typically humorous manner Satie countered the myth of the great master?s ?last thought? with his ?Next-to-last thoughts? (Avant-dernières Pensées). As was usual with his piano works from 1912 onwards, each of the three highly distinctive pieces with their sound sensitive piano settings contained a short whimsical story printed in the musical text as a subtext, which is more or less closely connected with the music. Satie dedicated his ?Next-to-last thoughts? to prominent contemporaries: Claude Debussy (for no. 1 ?Idylle?), with whom he was close friends, Paul Dukas (no. 2 ?Aubade?, in English ?Dawn serenade?), whose music he greatly admired, and Albert Roussel (no. 3 ?Méditation?), his former teacher of counterpoint at the Schola Cantorum in Paris.
Avant-dernières Pensées
| Instrument (fx guitar, sang m.m.) | Klaver |
| Genrer (Fx Pop, Rock, Børn m.m.) | Post-1900, Romantic |
| Type (fx Instrumentskole o.lign.) | Instrumentalværk |
| Sideantal | 20 |
| Media (fx Bog, CD, DVD m.m.) | Noder |
| Series | Henle Urtext Editions |
| Publisher/Producent | Henle Verlag |
| Bidragydere | Satie, Erik (Composer) Krämer, Ulrich (Editor) |
| Sprog | Engelsk |
| ISMN | 9790201811819 |