Cinque studi per orchestra (1959?60) clearly documents the process by which Maros - starting from Bartók's expressionist works written during the 1920s, especially The Miraculous Mandarin and The Night's Music -escaped from the earlier tonal, classicizing realm of music. The composition takes the form of a suite, with alternating notturno and scherzo movements. Decisive to the character of both are percussion instruments hitherto used solo only rarely in Hungarian orchestral practice. (Anna Dalos)
| Instrument (fx guitar, sang m.m.) | Orkester |
| Sideantal | 56 |
| Publisher/Producent | Editio Musica Budapest |
| Bidragydere | Maros, Rudolf(Composer) |
| ISMN | 9790080100127 |