«sexe-tuor» was originally a failed attempt to compose a solo oboe piece for my noyé cycle. For the solo the name "le sexe du noyé" was intended, and the few measures of sexe-tuor were my first attempt to compose a piece in which more complex rhythms would result in a kind of proportional multiplication of individual fragments from the sextet [hence the French sextuor] le retour du noyé. This proved to be monstrously complicated and absurd. Thus, the ten measures of the «sexe-tuor» fragment represent a capitulation in the face of these complications, presented as the interruption of an immovable column of air in a frozen multiphonic sound. In the event, the solution to the problemwas quite simple: Beginning with the composition of le sexe du noyé the proportionalities of the pitch levels and rhythmic values revealed significant rhythmic possibilities. sexe-tuor remains as it is: a solo piece that can function in another compositional context, as an intermezzo between other, larger works on a concert program. The 90 second piece of music can be played in two versions: either for solo piccolo or solo oboe.
| Instrument (fx guitar, sang m.m.) | Piccolo |
| Sideantal | 8 |
| Publisher/Producent | Carus Verlag |
| Bidragydere | Feldmann, Walter(Composer) |
| ISMN | 9790007111021 |