Heinrich von Herzogenberg’s interest in the motet form based on a cantus firmus can be traced back to the middle years of his tenure in Leipzig [1875 1885]. For three of the four chorale motets [Nos. 1, 3, 4] he chose hymns which were also known as “traditional melodies” outside a liturgical context and, in two cases [Nos. 3 and 4], were sung by both faiths. Each of the four chorale motets are concerned with suffering and death. With regard to the size of the choir, Herzogenberg envisioned a large mixed choir. Therefore, larger choirs can also sing the motets a cappella.
| Instrument (fx guitar, sang m.m.) | Mixed Choir |
| Genrer (Fx Pop, Rock, Børn m.m.) | Middelalder |
| Sideantal | 20 |
| Publisher/Producent | Carus Verlag |
| Bidragydere | von Herzogenberg, Heinrich(Composer) Klek, Konrad(Artist) |
| ISMN | 9790007009120 |