The three-movement Quo vadis by Erik Bergman is a typical example of his recent coloristic-improvisatory style. It is a dialogue-like duo in which the instruments speak both in turn and together. Their voices grow in a wedge of volume ? from silence to passionate outbursts and from the middle to the outer registers. Each rejoinder is usually dominated by a particular mode of playing and figure, the most marked being the highly dissonant crashes on the piano and the cello tremoli. The themes of the second movement are based on a medieval Dies irae melody. But their melodic type, oscillating backwards and forwards over a small interval, is characteristic of Bergman and accordingly makes its appearance in the other movements, too.
| Instrument (fx guitar, sang m.m.) | Cello, Sopran |
| Genrer (Fx Pop, Rock, Børn m.m.) | Post-1900 |
| Type (fx Instrumentskole o.lign.) | Instrumentalværk |
| Sideantal | 36 |
| Media (fx Bog, CD, DVD m.m.) | Noder |
| Publisher/Producent | Novello & Co Ltd. |
| Bidragydere | Bergman, Erik (Artist) |
| Sprog | Engelsk |