Essential Flamenco Guitar: Volume 2

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Mel Bay Publications

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The acclaimed first volume of this exciting series gave extensive insights into basic techniques of flamenco guitar playing and the two important rhythmic forms (palos) of Solea and Alegrias. This second volume continues with an exploration of further essential rhythmic palos. The first of these is the Bulerias. Juan Martin brings his many years of experience as an internationally renowned flamenco soloist and accompanist for singers and dancers to unraveling its mysteries, explaining and demonstrating very clearly the different elements of its rhythmic structure and the various ways it may be accented and counted. He uses traditional and more modern examples of thedifferent kinds of rhythm and melodic passages (falsetas) to provide an invaluable understanding of this wonderful palo. The second rhythmic form is devoted to the popular flamenco Rumba, then Tangos, Tientos and that most profound of all the palos, the deeply moving Seguiriyas. Juan's solo playing is complemented by demonstrations of the guitar's role in accompanying the flamenco dance (baile) and song (cante) with the help of outstanding dancers Raquel de Luna and Miguel Infante and singers Amparo Heredia (La Repompilla) and Carlos Brias. The music for solo guitar is transcribed in standard notation and tablature (cifra) and the online video contain nearly three hours of explanation and demonstrations. The series is complemented by two other best-selling Juan Martin volumes published by Mel Bay. These provide progressively graded solo material to extend the repertoire, from beginner to concert level. Includes access to online video.

Introduction by Juan Mart¡n ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿKey to Symbols and Notationÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿTuning the Guitar ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿBULERÖAS
Introductory Buler¡as Sequenceÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿBuler¡as ? The Basic Comp sÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿThe Comp s ? Slightly Fasterÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿElements of the Comp sÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿGolpes in the Comp s of Buler¡as ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿEstilo Campero ? al golpe ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿIntroducing the ?Straight? Beat ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿThe al golpeÿ Beat Againÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿCounting in 6?s (with the ?Straight? Beat) ÿ ÿ ÿ ÿ ÿ ÿ
ÿMore on theÿ ?Straight? Beat ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿCounting the Comp s ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿCounting the 5 Accents Example 1ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿCounting the 5 Accents Example 2ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿMarking Beats 7, 8 and 10ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿFeeling the 6?sÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿA First Falsetaÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿThumb Technique in First Falseta ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿFirst Falseta ? FASTERÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿTwo More Falsetasÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿA Simpler Falseta ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿThe Key Role of Ritmeo ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿTransition to G minorÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿFurther Chord Changes in Ritmeoÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿRaquel Dances a Basic Buler¡asÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿTwo Classic Falsetas por arribaÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿAnother Falseta por arribaÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿA Sad Falsetaÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿThumb Falseta No 1ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿSequence in the Minor Key and por medio ÿ ÿ ÿ ÿ ÿ
ÿA Sequence with Aranquesÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿAnalysis ? The Timing of Aranquesÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿAnother Aranque ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿRitmeo and Falsetas ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿPicado Falseta No 1 ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿPicado Falseta No 2 ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿAnother Thumb Falseta ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿSome Modern Variations ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿSlapping Technique in Buler¡as ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿFalseta in A Major Positionÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿRaquel Demonstrates the Female Dance ÿ ÿ ÿ ÿ ÿ ÿ
ÿThe Llamada ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿThe Accentuation in 6?sÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿMiguel Dances a Male Version ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿRaquel and Miguelÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿAmparo Sings Buler¡as in Ronda ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
RUMBA
Rumba Sequence ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿTu eres la fuente ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿBasic Comp s ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿRight Hand in Rumba ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿLeft Hand Apagado ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿPhrygian Chordal Sequenceÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿSlapping Rhythm ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿMoving the Slapsÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿRumba Songÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿAnother Rhythm Techniqueÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿ? in Slow Motionÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿArpegio Rhythm ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿSummary of Four Rhythm Techniques ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿRumba Soloÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿMaria µngelesÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿEl agua se va pa? el rioÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿThe Rumba?s Flexible Rhythm ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿRaquel Teaches a Simple Rumba ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿTIENTOS
Basic Comp s ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿComparison with Tangosÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿAlternative Tientos Ending with Transitional Chordsÿ ÿ ÿ
ÿFalseta Imitating the Cante ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿA Traditional Falsetaÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿTientos por arriba ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿTANGOS
Introductionÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿTangos with Retuned 6th string ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿRaquel Dances Tangosÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿSEGUIRIYASÿ
ÿCounting the Comp s ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿCounting the Comp s (continued) ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿFalseta de Javier Molina ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿFalseta in the Bass ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿA Classic Falseta ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿDoubling the Rhythm ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿModern Chords for Seguiriyasÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿMore Falsetas ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿMiguel Dances Seguiriyas ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿRaquel Dances Seguiriyas, Carlos Sings ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿAmparo Sings Seguiriyas ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ
ÿIntro to Next DVD & Fandangos

Instrument (fx guitar, sang m.m.)	Guitar
Sideantal	140
Publisher/Producent	Mel Bay Publications
Bidragydere	Martin, Juan(Composer) Campbell, Patrick(Composer)
Sprog	Engelsk
ISBN	9781513466194

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